Gary Stephan

Tape on paper

With an essay by David Rhodes

March 21 – April 20, 2024

46

2019

18 x 24 inches

Tape on paper

Signed on verso

21

2019

18 x 24 inches

Tape on paper

Signed on verso

23

2019

18 x 24 inches

Tape on paper

Signed on verso

29

2019

18 x 24 inches

Tape on paper

Signed on verso

30

2019

18 x 24 inches

Tape on paper

Signed on verso

56

2019

18 x 24 inches

Tape on paper

Signed on verso

57

2019

18 x 24 inches

Tape on paper

Signed on verso

59

2019

18 x 24 inches

Tape on paper

Signed on verso

63

2019

18 x 24 inches

Tape on paper

Signed on verso

20

2019

18 x 24 inches

Tape on paper

Signed on verso

Untitled

2022

18 x 24 inches

Tape on paper

Signed on verso

Press Release

Anders Wahlstedt Fine Art is pleased to present GARY STEPHAN: Tape on Paper. This is Stephan’s first exhibit with the Gallery. On view are eleven tape drawings on paper that employ Stephan’s formalist painting practice all while posing questions that challenge the conventions of drawing and image-making.

Throughout his artistic endeavor, Stephan has established himself as one who creates in the “dead center,” namely the intersection between the visual/representational and the emotional, evident in his abstract paintings in which simple tools and limited color palettes come together to undermine any attempt at coherent interpretations. This mode of working continues with his latest series of tape drawings, where layers of black and white tape are placed upon the most fundamental of canvases––––white paper. The simple presentation belies and in turn gives rise to a complex interplay that suggests yet questions and disrupts the dualism of light and shadow, of figure and ground, of positive and negative. 

In 46 (2019), for instance, strips of black tape of varying lengths and thicknesses are assembled along both the horizontal and vertical axes of the paper in a manner that vaguely conjures a three-dimensional rectangular prism. A window? A television screen? A square of a chocolate bar? The viewer is prompted to spend time exploring, draw associations, and ponder the meaning of the picture in front of them, as Stephan rarely ever dictates what is being presented. With these works, Stephan revives the tradition of abstraction and, through this process, pushes the medium of drawing into a dynamic, ever-evolving context. Furthermore, the tension between the precise linearity of the composition and the hand-crafted nature of cutting, layering, and applying tape to paper serves to inaugurate a dialogue between the exactitude of geometric forms versus the raw imperfections inherent in human creations, once again proving Stephan’s prowess as an artist who works from the “middle.”

 

Gary Stephan, (B. 1942 New York) lives and works in New York City and Stone Ridge, NY.

Selected Solo exhibitions include Daniel Weinberg Gallery, San Francisco, CA, Mary Boone Gallery, NY, Marlborough Gallery, NY, Diane Brown Gallery, NY, Kienzle Art Foundation, Berlin, Germany.

Group Exhibitions include The Whitney Museum, NY, Leo Castelli Gallery, NY, The Aldridge Museum of Contemporary Art, CT, The New Museum, NY, The Museum of Modern Art, Vrej Baghoomian Gallery, NY, Galerie Thaddaeus Ropac, Salzburg, Austria, and many others.

His work is included in numerous permanent collections, such as The Whitney Museum, NY, The Museum of Modern Art, NY, The Solomon R. Guggenheim Museum, NY, The Metropolitan Museum of Art, NY, San Francisco Museum of Modern Art, The Museum of Contemporary Art, Miami, FL, The Kunst Museum Winterthur, Switzerland and the Kienzle Art Foundation, Berlin, Germany