Frank Stella's Imaginary Places

Ten circular prints from Stella's Imaginary Places series

May 20 – June 30, 2021

Atvatabar, 1996

Lithograph, screenprint, etching, aquatint, relief on white TGL handmade paper

26 1/4 inch diameter

Bilbimtesirol, 1996

Lithograph, etching, aquatint, relief, stamping on white TGL handmade paper; metalized silver foil

26 inch diameter

Egyplosis, 1996

Lithograph, etching, aquatint, relief, stamping, screenprint on white TGL handmade paper; metalized silver foil

25 3/4 inch diameter

Perinthia, 1996

Lithograph, screenprint, etching, aquatint, relief on white TGL handmade paper

27 1/8 inch diameter

Fattiburg, 1996

Lithograph, screenprint, etching, aquatint, relief, engraving, stamping on white TGL handmade paper; metalized silver foil

32 inch diameter

Fattipuff, 1996

Lithograph, screenprint, etching, aquatint, relief on white TGL handmade paper

32 1/2 inch diameter

Jundapur, 1996

Lithograph, screenprint, etching, aquatint, relief, stamping on white TGL handmade paper; metalized silver foil

29 inch diameter

Orofena, 1998

Lithograph, screenprint, etching, aquatint on white TGL handmade paper

21 1/2 x 21 3/4 inches

Eusapia, 1998

Lithograph, screenprint, etching, aquatint, relief on white TGL handmade paper

21 3/4 x 21 3/4 inches

Plutusia, 1996

Lithograph, screenprint, etching, aquatint, relief, mezzotint, engraving on white TGL handmade paper

26 1/2 inch diameter

Press Release

Anders Wahlstedt Fine Art is pleased to present an exhibition of ten circular prints from Frank Stella’s celebrated “Imaginary Places” series. The selected works on view are from 1996 - 1998 and are rendered in vivid - often fluorescent - colors. Stella employs a variety of techniques in this series, including engraving, aquatint, relief, lithography, screenprint, etching, and computer design. The labor-intensive, complex prints each refer to an encyclopedic entry in Alberto Manguel and Gianni Guadalupi’s The Dictionary of Imaginary Places. The book catalogues the geography and culture of fictional places from literature, and offered an ideal source material for Stella’s abstracted worlds.