Joan Snyder / Selected Prints 1975-2018

April 12 – May 24, 2018

Imagine, 1975

soft ground etching and sugar lift aquatint

15 x 22 inches

edition of 40 plus 15 AP


Mommy Why?, 1984

woodcut hand-inked with oil paint

20 x 26 inches

edition of 15 plus 7 AP

Things Have Tears and We Know Suffering, 1984

hand-inked color woodcut

26 x 25.5 inches

edition of 9 plus 4 AP

Field of Flowers from The New Provincetown Print Project Portfolio, 1993

monoprint (color etching, aquatint, woodcut, and pastel)

22.5 x 30 inches

unique monoprint in a series of 7 variant monoprints

…and acquainted with grief, 1998

color etching, aquatint, woodcut, and linocut

41.5 x 59.5 inches

edition of  10 plus 3 AP

My Work…., 1997

five-color etching, soft ground etching, aquatint, spit bite, scraping, and color woodcut

22.25 x 25 inches

edition of 16

Madrigal X from 33 Madrigals, 2001

color lithograph, monotype and color woodcut

33.5 x 35.5 inches

unique monoprint from series of 33 variant monoprints

Madrigal XI from 33 Madrigals, 2001

color lithograph, monotype and color woodcut

33.5 x 35.5 inches

unique monoprint from series of 33 variant monoprints

Altar, 2010

digital print, color lithograph, chine collé, color etching, color woodcut and collograph

34 x 31.5 inches

edition of 40 plus 8 AP

Chant/Always, 2016

etching and woodcut

32.5 x 42.5 inches

edition of 3

Chant/Forever, 2018

lithograph, etching, and woodcut

32.5 x 42.5 inches

edition of 12 variable monoprints

Press Release

Opening reception: Thursday, April 12th, 6-8pm


Anders Wahlstedt Fine Art is pleased to present Joan Snyder / Selected Prints 1975-2018, an exhibition of eleven of Snyder’s most important prints. The show features highlights of her printmaking activity from the 1970s onward, including her newest, “hot off the press” print, Chant/Forever (2018).


Since the outset of her career, Joan Snyder has been adventurous in her approach to printmaking, particularly in etching and woodcut. In the 1990s, she began combining different printmaking techniques and color applications in boldly untraditional ways, often making varying impressions with an open-ended inventiveness within editions that are ultimately complex to produce. Snyder’s art has always been informed by nature, by the landscape, and deals with deeply personal themes, among them female sexuality, mortality, and social injustice.


The exhibition opens with Snyder’s 1975 intaglio print Imagine, a tantalizing black-and-white image combined with words expressing excitement about pink flesh, beauty, symphonies, bodies and souls – an intimate blending of her work and life inspired by a Frank O’Hara poem. Other featured works include the powerful color woodcuts Mommy Why? (1983-84) and Things Have Tears and We Know Suffering (1983-84); Field of Flowers (1993), a monoprint that is a sorrowful response to AIDS, death, and grief; and My Work… (1997), a masterful combined color intaglio and woodcut fusing female sexuality and sensibility with passionate creativity. Snyder followed these prints with …and acquainted with grief (1998), her largest print and a technical tour-de-force bursting with color; two variant impressions from the monoprint series 33 Madrigals (2001), displaying a harmonic vibrancy; and Altar (2010), which presents words and dissolving letters amid falling blossoms, cherries, and seedpod forms to evoke aspects of life and aging.


“Joan’s art is autobiographical and serves as a visual diary. Her prints, like her paintings, explore and expose her anxieties and passions, as well as strongly express her feelings of joy, rage or sorrow,” notes Marilyn Symmes, who organized Snyder’s first major print retrospective exhibition in 2011 and authored its comprehensive companion book, Dancing with the Dark: Joan Snyder Prints 1963-2010, for the Zimmerli Art Museum at Rutgers, The State University of New Jersey. Symmes goes on to note that “Her background as a painter is evident in her execution of prints, which are full of textured, gestural forms and painterly applications of vivid color. Snyder’s process and approach to printmaking is unorthodox. Many artists who make prints work with just one master printer and oversee the execution of their work at a distance, but Joan is intimately involved in the creation of every detail, restlessly experimenting with the treatment of each visual layer.”


Born in 1940 in Highland Park, New Jersey, Joan Snyder’s work has been presented in more than 100 exhibitions since 1970.  Snyder’s art is represented in many leading American public collections, including the Metropolitan Museum of Art, Museum of Modern Art, New York Public Library,  The Jewish Museum, the Solomon R. Guggenheim Museum, and Whitney Museum of American Art in New York City; the National Museum of Women in the Arts and The Phillips Collection in Washington, D.C.; the Museum of Fine Arts, Boston, and the Harvard University Museums, Cambridge;  Dallas Museum of Art, Dallas; High Museum of Art, Atlanta; and the San Francisco Museum of Modern Art, San Francisco.  Snyder lives and works in Brooklyn and Woodstock, New York.


Please join us for an opening reception with the artist on Thursday, April 12th, from 6-8pm. A full-color, limited edition catalogue with an essay by Marilyn Symmes will be published to accompany the exhibition. For more information, contact, or call 917-868-9010.